Soloists for the 2023-2024 Season

Metropolitan Opera Queen of the Night Kathryn Bowden, headshot.

Kathryn Bowden

Soprano Kathryn Bowden is making her mark in the fiendish role of the Queen of the Night (Königen der Nacht) in Mozar’s Die Zauberflöte, for which she has become highly in demand. In October 2017 Ms. Bowden made her Metropolitan Opera debut as the Queen in the company’s German language MainStage production and covered the role during the Met’s English language family performances later in the season. She also made her 2017 Baltimore Symphony Orchestra debut performing the Queen’s famous “Der Hölle Rache” in the concert program Heroes and Villains. The role of the Queen has served as Ms. Bowden’s 2015 San Francisco Opera debut vehicle and her entry onto the Metropolitan Opera roster as a cover for the 2016 family performances of The Magic Flute. Ms. Bowden reprised the role making her Symphony Hall (Boston) debut with the Boston Youth Symphony Orchestra in March 2019 and with Opera Maine in July 2019. Ms. Bowden also rejoined the Metropolitan Opera roster in 2019 covering the role in the English language family performances and performed the role for her Pittsburgh Opera debut in the fall of 2021. In the fall of 2022, Ms. Bowden debuted at Opera Orlando as the Queen of the Night in Die Zauberflöte. In 2018, Ms. Bowden made her debut with Houston’s Opera in the Heights as Cunegonde in Candide. Additional roles include Drusilla (L’incoronazione di Poppea), the Coloratura (Postcard from Morocco), Anne Truelove (The Rake’s Progress), and Greta Fiorentino (Street Scene). In the spring of 2019, Ms. Bowden will make her Carolina Philharmonic debut in the annual Opera Gala, singing some of the art form’s most iconic arias and duets and will make her Carnegie Hall debut with MidAmerica Productions as the Soprano Soloist in Haydn’s Mariazeller Mass as well as Vivaldi’s Gloria. An alumna of San Francisco Opera’s prestigious Merola Opera Program, Ms. Bowden performed the roles of Mrs. Gobineau (The Medium), and Nella (Gianni Schicchi) and excerpts from the role of Amina (La sonnambula). She has also participated in the voice program of the Chautauqua Music Festival. Ms. Bowden has been a District Winner of the 2016 and 2014 Metropolitan Opera National Council Auditions in Florida and Winner of the 2013 Jenny Lind Competition for Sopranos. She earned her Performer’s Certificate and Bachelor of Music in Vocal Performance from the University of Connecticut.

Erik Andrusyak, Coast Guard Band and Eastern Connecticut Symphony, headshot with oboe.

Erik Andrusyak

Erik Andrusyak is currently the co-principal oboe at the United States Coast Guard band and the principal oboe with the Eastern Connecticut Symphony Orchestra.  He was previously principal oboe of the Elgin Symphony and was a member of the Civic Orchestra of Chicago, a training program under the Chicago Symphony Orchestra directed by Ken David Masur. 

Throughout his career, Andrusyak has participated in prestigious music festivals including the Pacific Music Festival and the Music Academy of the West. He has been invited to perform as a guest with ensembles including the Chicago Symphony Orchestra, New World Symphony, New Haven Symphony, Springfield Symphony, Illinois Symphony, Joffrey Ballet, and the Chicago Philharmonic. Additionally, he was featured as a soloist with the Masterworks Festival Orchestra, the Eastern Connecticut Symphony, Yellow River Music Festival, and the Civic Centennial Celebration Bach Marathon, where Yo-Yo Ma served as the creative consultant. This performance was broadcasted live on WFMT. He has made solo appearances in Japan, Korea, China, and Russia.

In addition to maintaining his own private studio in Norwich, CT, Andrusyak currently teaches at the Neighborhood Music School in New Haven and the Thames Valley Music School in New London. He holds a Bachelor of Music degree from DePaul University, where he studied with Alex Klein, former Principal Oboe of the Chicago Symphony Orchestra. Other mentors include Grace Hong, Scott Hostetler, Eugene Izotov, Lora Schaefer, and William Welter.

Michelle Murray Fiertek

Soprano Michelle Murray Fiertek is an active performer and teacher of wide-ranging styles from traditional classical repertoire to contemporary musical theater and pop/rock. Fiertek has received the University of Hartford Sustained Excellence in Teaching Award (2018) for her work in the Hartt School’s Vocal Studies Division; is trained and certified by NYC “rock musical guru” Sheri Sanders (Rock the Audition) as a teacher of the RTA curriculum (2018); and was nominated in the “Best Featured Actress in a Musical Production” category by Broadway World Connecticut (2015) for her performance as Miss Pinkerton/June Jinkins in Hartford Opera Theater’s double bill of “The Old Maid and the Thief” (Menotti) and “An Embarrassing Position” (Shore). Michelle’s career began in musical theater, performing for Disney World, on cruise ships, and in Japan. Her current research and performing focuses on Spanish and Latin American art song, contemporary American art song, and on helping singers understand the timbre, resonance, and stylistic differences between vocal genres to aid them in reaching their fullest potential. She has been a faculty and guest recital artist at venues across the country and in Spain. Michelle made her Carnegie Hall debut with a solo performance of William Bolcom’s Cabaret Songs described as “First rate – engaging and authentic” in New York Concert Review. Michelle has studied under such famed musicians as the late pianist Miguel Zanetti and mezzo-soprano Teresa Berganza as part of the celebrated Interpretation of Spanish Song program, as well as returned to the program in subsequent years as a guest artist. She continues to return to Spain to study with Jorge Robaina, pianist and vocal coach at the Escuela Superior de Canto in Madrid, and Patricia Caicedo, soprano and Latin American art song scholar, in Barcelona. As a recording artist, Fiertek recently released an album of contemporary American art song through Albany Records (April, 2020) titled Every Tiny Thing. She has two previous albums on the Summit Records label under the name Michelle Murray: Blue: The Complete Cabaret Songs of William Bolcom and Arnold Weinstein, described as “exemplary” by BBC Music Magazine and named “CD of the week” by the Arizona Republic and KBAQ-FM, and The Juliet Letters. She has been a featured soloist in many large-scale choral works, including Fauré’s Requiem, Mozart’s Coronation Mass and Mass in C Minor, Vivaldi’s Gloria, Bach's B Minor Mass and BWV 80, and Handel’s Dettingen Te Deum and Messiah with organizations such as Waterbury Symphony, New Haven Chorale, Con Brio Choral Society, Old St. Andrew’s Church, Cypress Masterworks Chorale (CA), Pinnacle Presbyterian Church (AZ), and The Village Church (MA). Professor Fiertek currently serves as both a member of the voice faculty and Director of Community Programs for The Hartt School, University of Hartford. Additionally, she is Executive Director of Hartford Opera Theater. Fiertek holds two B.M. degrees from Arizona State University, an M.M. from California State University, Long Beach, a D.M.A. in Vocal Performance from The Hartt School, University of Hartford, and is a proud member of Actors’ Equity Association. For more information please visit www.michellemurrayfiertek.com